Showing posts with label Postmodernism. Show all posts
Showing posts with label Postmodernism. Show all posts

Thursday, 11 October 2018

Postmodernism: Critical Approach - Notes


Postmodernism: An Artistic Style

Postmodernist art reveals itself when:

1. It's self-referential. In other words, it refers to itself, or is about itself. Postmodernist artists often refuse to let their works be simply or totally about something else. Their works are about themselves as works of art, and they constantly draw attention to themselves as artifices instead of trying to be windows on some sort of reality beyond themselves. 

2. It's "intertextual." That is, it's art that often likes to be about some other work of art, or some other "text." A famous pop artist named Roy Lichtenstein loved painting images taken right out of comic books. That's "intertextuality," he made art about somebody else's art. 

3. It's category-defying, often in confusing ways. Postmodernist artists love to defy our expectations and do things they're not "supposed" to do -- maybe to remind us that the rational categorisations we often use to understand art never work as well or as perfectly as we like to think they do.

4. It's "pastiched." Fancy French word, that. "Pastiche," to recent art critics, is the practice of borrowing elements of different genres and different styles from lots of different historical periods, then mixing them all together in a single work of art. It creates a kind of historical collage. 

5. It's not snobbish. In fact, postmodernist art can be very "pop." It often draws its subject matter from the realm of popular culture and employs pop-culture forms and genres. Most postmodernist artists don't draw the sorts of distinctions between "high" and "low" culture many artists of the past did -- and so they defy yet another mode of categorisation.

6. It gets fact and fiction all mixed up. Postmodernist artists aren't much interested in the distinction between real and make-believe. They often make famous "real" historical figures interact with fictional characters in their works, and they often re-tell "actual" textbook history in peculiar, unsettling, often illuminating ways. Mixing fact and fiction is a way to amplify this idea. 

Read more here.

Pan's Labyrinth: Postmodernism


Pan's Labyrinth: Critical Approach


Characteristics of a postmodern text that can be seen within ‘Pan's Labyrinth’:

Intertextuality – the referencing of other cultural texts; either visually or verbally within the content of the text  (Alice In Wonderland/The Wizard of Oz/Goya - paintings.)

Hybridity - the mixing and/or recycling of pre-existing genres and narratives to construct new forms or a ‘hybrid’ (Fantasy/Fairy Tales/Political/Historical/War/Drama)


Pastiche – paying ‘homage’ to older texts (see intertextuality)

Bricolage - the collection of disparate or differing objects to help explain the nature of the prevailing culture and society (links to the construction of the film - it's assembled from many different styles/ideas)

Irony – playfulness with the style, form and/or content of a text (Knows that is referencing other narratives and has fun with its style)


When answering a question from a postmodern perspective apply the key words to a wide range of scenes in your discussion. Don't just state that it's postmodern as you will also have to explain how your understanding of the film has changed as a result of studying the critical perspective.